(NON-MEMBER GA) ERICA MINER, Perils of Wagner: Backstage Drama at the Met
Boston Wagner Society is delighted to welcome back Erica Miner to present:
The Perils of Wagner:
Backstage Drama at the Met Opera Part 2 — The Ring
December 15th, 2PM EST on Zoom
Free to BWS Members — No purchase necessary for BWS members; simply email us to RSVP: info@bostonwagnersociety.org
$10 to Non-Members
In a follow-up on her presentation on the dangers and difficulties in performing Lohengrin, former Met Opera violinist Erica Miner reveals the behind-the-scenes dramas and perils inherent in Wagner’s Ring, with emphasis on the controversial 2010 Robert Lepage Met production.
As well as a former Met Orchestra violinist and musicologist, Erica is an acclaimed author. Her latest book is Overture to Murder.
The curtain comes down on murder in the third novel of Erica Minier's Julia Kogan Opera Mystery series. Julia heads to the San Francisco Opera, under inordinate amounts of pressure, as concertmaster for Wagner’s powerful The Ring of the Nibelungen, replacing the ailing concertmaster, Ben, who has suffered serious injuries in a suspicious hit-and-run accident. When one prominent company member becomes the victim of a grisly murder, Julia cannot resist becoming involved in the investigation. As in her previous sleuthing at the Metropolitan Opera and Santa Fe Opera, Julia once again discovers that fiery artistic temperaments, and danger lurking in the dark hallways and back stairways of an opera house, provide a chilling backdrop for murder. This time, however, it’s not only her own life that is in peril.
Boston Wagner Society is delighted to welcome back Erica Miner to present:
The Perils of Wagner:
Backstage Drama at the Met Opera Part 2 — The Ring
December 15th, 2PM EST on Zoom
Free to BWS Members — No purchase necessary for BWS members; simply email us to RSVP: info@bostonwagnersociety.org
$10 to Non-Members
In a follow-up on her presentation on the dangers and difficulties in performing Lohengrin, former Met Opera violinist Erica Miner reveals the behind-the-scenes dramas and perils inherent in Wagner’s Ring, with emphasis on the controversial 2010 Robert Lepage Met production.
As well as a former Met Orchestra violinist and musicologist, Erica is an acclaimed author. Her latest book is Overture to Murder.
The curtain comes down on murder in the third novel of Erica Minier's Julia Kogan Opera Mystery series. Julia heads to the San Francisco Opera, under inordinate amounts of pressure, as concertmaster for Wagner’s powerful The Ring of the Nibelungen, replacing the ailing concertmaster, Ben, who has suffered serious injuries in a suspicious hit-and-run accident. When one prominent company member becomes the victim of a grisly murder, Julia cannot resist becoming involved in the investigation. As in her previous sleuthing at the Metropolitan Opera and Santa Fe Opera, Julia once again discovers that fiery artistic temperaments, and danger lurking in the dark hallways and back stairways of an opera house, provide a chilling backdrop for murder. This time, however, it’s not only her own life that is in peril.
Boston Wagner Society is delighted to welcome back Erica Miner to present:
The Perils of Wagner:
Backstage Drama at the Met Opera Part 2 — The Ring
December 15th, 2PM EST on Zoom
Free to BWS Members — No purchase necessary for BWS members; simply email us to RSVP: info@bostonwagnersociety.org
$10 to Non-Members
In a follow-up on her presentation on the dangers and difficulties in performing Lohengrin, former Met Opera violinist Erica Miner reveals the behind-the-scenes dramas and perils inherent in Wagner’s Ring, with emphasis on the controversial 2010 Robert Lepage Met production.
As well as a former Met Orchestra violinist and musicologist, Erica is an acclaimed author. Her latest book is Overture to Murder.
The curtain comes down on murder in the third novel of Erica Minier's Julia Kogan Opera Mystery series. Julia heads to the San Francisco Opera, under inordinate amounts of pressure, as concertmaster for Wagner’s powerful The Ring of the Nibelungen, replacing the ailing concertmaster, Ben, who has suffered serious injuries in a suspicious hit-and-run accident. When one prominent company member becomes the victim of a grisly murder, Julia cannot resist becoming involved in the investigation. As in her previous sleuthing at the Metropolitan Opera and Santa Fe Opera, Julia once again discovers that fiery artistic temperaments, and danger lurking in the dark hallways and back stairways of an opera house, provide a chilling backdrop for murder. This time, however, it’s not only her own life that is in peril.